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| optimized for Safari | Last update:oct 2013 |     © 2006 Melati SURYODARMO

 

 

 

 

 

 

 

 

 

Rindu
Kashya-kashya muttiku
Der Sekundentraum

Bubble Jam

Exergie-butter dance

Lullaby for the Ancestors

Love me Tender

Why let the chicken run?

Risk in Plurality

Tarung

The Promise

Ale Lino

The Ballad of Treasures

Boundaries that lie

The Black Ball

The Komodo FIles
Deformed Ethic of a Relationship 2.0
Deformed Ethic of a Relationship 1.0

The Fermata

The Visible Undone Behaviour

Kleidungsaffe

Cruise Control

Height of Limerence

My FIngers are the Triggers

I Love You

Perception of Patterns in Timeless Influence

The Seed

Silent Trip

Memorabilia

Euology

Ugo

Sonnete number 25

The dog barked at the back yard, while the eagle flew after the dark. And I....

When the box was opened, the fog disappeared. Alienation of the stone

I put a spell on you

Cyclus-X
Excused me, Sir!
Passionate Pilgrim

Exergie - butter dance extended

Feather fell down from the silence

Almost there

Feathers fall from nowhere

Kein Spiel
Conversation with the Black

Reclaimed

Beethoven Sonata Marathon

Mama never bought me a pair of jeans trousers

John Cage_Song Books
I'm a ghost in my own house
Sweet dreams sweet
The Dust
 

 

 

The Black Ball

2005

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The Black Ball was inspired by the life and works of Egon Schiele. Egon Schiele (June 12, 1890  -  October 31, 1918) was an Austrian painter, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes that characterize Schiele's paintings and drawings make the artist a notable exponent of Expressionism.
Observing Egon Schiele´s portrait drawings, I assume that he had truly transformed darkness on the expression of the portraits, in a very detailed precision. Even if he has portrayed other persons, he involved his sombre side on them. The contrast between erotic and the hardness represented his time. He was accused due to his nude girls drawings, and spent some years in the jail.
But in this work, I was more interested into specifically one of his drawing which is “organic movement of a chair and jug”. In this drawing, the chair and the jug were floating in a very specific perspective, as if both were thrown away in the air.
In The Black Ball, I sat on a chair I attached on the wall, about two and a half meters high from the floor. Below the chair, a shelf designed by Marina Abramovic, was covered with artificial grass. I only sat on the chair, and hold the black rubber ball, for hours.

I am returning into silent of act, returning my verve into the silence, compiling silent moments I have ever experienced in my life, especially those when I was in fears or loss. I approach the closest path, the most sensitive line, between my body and the undiscovered landscape of my psychological experiences. I am listening to my silence, focusing on its darkness.

Duration of the performance: 4 days, each 8 - 10 hours.

Performed during the exhibition "Retrospective of Live and Works of Egon Schiele" at the Van Gogh Museum Amsterdam, 2005

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The_Black_Ball_5 performed at the Van Gogh Museum Amsterdam, 2005                                          Photo by Oliver Blomeier