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Bibliographie


- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag, Cologne, 1999, pg. 96-98
- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue, Performance Festival Odense, 1999, pg. 44
- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, Gallery Miscetti, Rome, 2000, pg. 38, 116
- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 – Zeichnungen” exh. Catalogue, © Michael Glasmeier und die Meisterschüler HBK 2002, pg. 91-96
- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne
- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, Kunst Werke Berlin e.V, Berlin, 2001, pg.36,37
- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer, 50th International art exhibition, La Biennale di Venezia”, Exhibition catalogue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg. 497
- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue, International Performance Festival Odense, 2003, pg. 24
- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003, pg. 390 – 401
- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam, Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 & 171
- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague, 2005.
- 15th Festival internacional de arte electronica Video Brasil, Associacao, cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.
- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin, 2005, pg 180, 192, 213.
- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House for Melati Suryodarmo, Jogjakarta 2006


- “Humour et ironie en action”, Etc Montreal, Revue delárt actuel; Nr. 53 Mars,Avril,Mai200, pg. 30 –33
- Sylvie Ferré, “for eyes and ears – Odense 1999”, Block Notes, 174, Janvier 2000, pg.4
- Marie-Claire Cordat, Polysonneries Ou Quand L´Art vivant “Ici et maintenant” Remet la Peandule Clturelle a l´Heure”, Block Notes,192, Septembre 2001, pg 24
- Robert Ayres , “Marina Abramovic and her students hit Dublin and Cork”, Sculptor´s Society Ireland/ January/February 2002/ Robert Ayres, pg. 4
- Robert Ayres , “Marking the territory”, Contemporary, Dublin, 01 January 2002, pg.90
- Aoife Desmond , “Marking the territory – Performance event”, Art Bulletin, Vol. 18 No 102 Dec 2001/ Jan 2002/, pg. 32,33
- “WORK – Art in progress”, 13th Edition Summer 2005, Periodico trimestrale della Galleria Civica di Arte Contemporanea di trento, Italy: pg. 36-37
- “WORK – Art in progress”, 14th Edition Autum 2005, Periodico trimestrale della Galleria Civica di Arte Contemporanea di Trento, Italy: pg. 40
- “art.es – international contemporary art”, no 10 july/august 2005, pg. 38 - 39
- Lizzy Le Quesne, “Provocative Performance – imaginative self-reflections use the body as a canvas”, The Prague Post, July 29, 2004.
- Nicole Richter, “Weimar-luft in Ballons gepackt”, Thüringische Landeszeitung/ 18 Sept 1999
- Jörg Worat, “Extremkunst: Ein Nackter zwischen Salz und Zucker”, Braunschweiger Zeitung, Feuilleton, 6.5.1998.
- Jörg Worat, “Bandagierter Künstler Ben Stone legte sich nackt in Salz und Zucker”, Neue Presse, Nr. 103, 1998, Kultur, pg. 11
- Aidan Dunne , “The art of living dangerously”, The Irish Times, Wed, November 28th 2001, pg.14
- Afrizal Malna, “Menyapa tetangga dalam tubuh kita”, Kompas minggu, Seni dan budaya, 27 Maret 2005.
- Helge Meyer, “4th. International Performance festival Odense”, 11.2004, satt.org
- Andreas Wiesen,”Bitte nehmen Sie Platz … im MARTa Herford”, portalkunstgeschichte.de
- Pawel Matyaszewski, “Europe arts spots, Ploysoneries”, osp.art.pl, 2000
- Walter de Gruyter and co, „Performing the Absolute. Marina Abramovic Organizing the Unfinished Business of Arthur Schopenhauer - Critical Essay“, powerko.com, January 2000.
- Natasha Nikãeviç, „Neraskopãani dnevnik vremena - Skica za portret : Melati Suriodarmo, performer umjetnik“, Pobjeda, 07.08.2005.

© 2006 Melati SURYODARMO